Do Not Open for 50 Years (The Cooper Family Saga) (Volume 3), by Patty Friedmann
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Do Not Open for 50 Years (The Cooper Family Saga) (Volume 3), by Patty Friedmann
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In this final installment of the Too Jewish Trilogy, Darby Cooper, the daughter of Bernie and Letty whom we met in Too Jewish, has become a bestselling New Orleans author after the turn of the millennium, drawing on the tragedy of her father’s life. Meanwhile, Hurricane Katrina has destroyed New Orleans. Letty has gone missing after the storm, leaving Darby perplexed and ambivalent. Daughter Honor has come back from evacuating to Florida with a boyfriend who claims he’s a mobster and is, in all other ways, a betrayal of every core value Darby has rescued from her tragic and treacherous family history. As she struggles in temporary quarters in shattered post-Katrina New Orleans, Darby confronts long-lost high-school classmates who want to reunite, oblivious to the role their cruelty played in her father’s death decades before. Darby’s grief and bewilderment are the reader’s, but they are easily tempered by her quick wit and humorous take at even the darkest moments.
Do Not Open for 50 Years (The Cooper Family Saga) (Volume 3), by Patty Friedmann- Amazon Sales Rank: #3047545 in Books
- Published on: 2015-03-30
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .72" w x 5.50" l, .82 pounds
- Binding: Paperback
- 288 pages
About the Author Besides the Cooper family saga, which includes Too Jewish, Too Jewish: The Next Generation, and Do Not Open for Fifty Years, Patty Friedmann is also the author of several other darkly comic literary novels set in New Orleans: the Eleanor Rushing series, Through the Windshield and A Little Bit Ruined; Odds; Secondhand Smoke; and Pick-Up Line, as well as the humor book Too Smart to Be Rich.
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Most helpful customer reviews
5 of 5 people found the following review helpful. A dysfunctional family, but functioning like a champ By M. A. Harper As a Cooper-Family addict, I couldn't wait to find out what happened to everybody after the events of TOO JEWISH: THE NEXT GENERATION, and am I ever psyched! Patty Friedmann doesn't write treacle and her characters are too real to guarantee conventionally happy endings, but I trusted her to tell a satisfying story and she's pulled it off with five HUGE stars. "People can't change after a certain age," narrator Darby Cooper is warned. Yet she detects a few of them... adjusting, maybe? To post-Katrina New Orleans. To relationship realities. To their calamitous, shared past. Packed with honest hilarity (a possibly-faux Gotti? an eighty-something slut?), DO NOT OPEN surprises on every page, but with nary an over-reach for the comic just for comedy's sake. The conclusion made me want to stand up and cheer. I don't know when I've read a wiser, wittier, more heartening book.
3 of 3 people found the following review helpful. Don't wait 50 years to open! By Anti-K Never would I thought that Hurricane Katrina would be a source of humor. But then I remembered Patty Friedman is wirting. If anyone can bring humor out of tragedy in one moment and heart wrenching sadness in the next it would be she. From Patty's first book to this one her gifts in creating characters who are so wonderful in their extravagant personalities are inimitable. I am looking forward to her next book and the next.....Keep writing Patty!
2 of 2 people found the following review helpful. A Consummation Devoutly to Be Wished By Patience Our reward for having waited faithfully for the concluding novel in Friedmann's fabulous Cooper/Kuper family saga is "Do Not Open for 50 Years". And what a reward it is! I am reminded of Polonius' description of "tragical, comical, historical, pastoral" drama, for "Do Not Open" has elements of all these genres, tightly woven in the wry, witty, and, ultimately wise prose confected by this well-respected observer of the New Orleans family scene. Friedmann never disappoints, whether providing richly evocative dialogues between and among the generations of Cooper/Kuper women or contributing narrative not yet heard in the many tellings of the city's post-Katrina stories. Friedmann also offers a welcome and unexpected window into the realities of the publishing world. As always, Friedmann causes us to care deeply for her characters, the good, the bad, and the irreconcilable. Without sinking into sentimentalism, she develops her characters as real people, showing in subtle but powerful ways the surprising heroism in the ordinary and conventional William, the loving strength in the shallow and self-absorbed Letty, and the fire of Darby's love hidden behind armor tried in the fire of persecution at the hands of the "mean girls" in her life. Friedmann's concluding chapter brings the "tragical, comical, historical, pastoral" drama that is her trilogy to a resolution that, while clearly not a Hollywood ending (which is rightly expected to be eschewed by this talented writer), is completely satisfying. The reader is left with the knowledge that Bernie's is a legacy that will endure not only through five decades and five generations, but beyond. For those of us who have loved Bernie from the first pages of "Too Jewish", and watched those he loved deal with his loss over the next two volumes, this is "a consummation devoutly to be wished", but turning Hamlet's comment on death into an affirmation of life itself. As always, Friedmann's love of language and clear, concise prose enable the reader to move through the story, enjoying what "literary fiction" is at its best. I wish there were more than five stars available to award this novel, so I'll have to settle for five stars, joined by the sixth star, the author herself.
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